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    <title>SCIRIA News &amp; Events</title>
    <language>en-us</language>
    <link>http://www.sciria.org.uk/home/events</link>
    <description>www.sciria.org.uk</description>
    <item>
      <title>SCIRIA OpenMind Series - Mobile Technology</title>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;Thu 6th November 2008&lt;br&gt;
2-5pm&lt;br&gt;
@ Camberwell College of Arts&lt;br&gt;
Seminar Room Basement&lt;br&gt;
Wilson Road&lt;br&gt; 
London SE5 8LU&lt;/p&gt;
&lt;p&gt;
Please RSVP (use 'Send email' below)


&lt;ul&gt;
&lt;li&gt;2-3pm Presentation&lt;/li&gt;
&lt;li&gt;3-5pm Practical Workshop&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;
Melissa Bliss is an artist  based in London. She has a long history
of social engagement with technology and her work is often
collaborative. Her key interests are people and place and internal
and external geographies. Her works use a variety of media such as
performance, installation, sound and video. She has shown work
nationally and internationally in Peter Stuyvesant's Ghost in New
York, Beacon Art Projects in Lincolnshire, FRED in Cumbria,
EASTinternational in Norwich and node-l media arts festival in
London. She has worked with young people for several years using
mobile phones to make videos, take photographs and record sound. Her
work can be found at www.livingcinema.org. She is also a director of
Living Cinema, an independent film company which makes unusual
documentaries www.livingcinema.com.&lt;/p&gt;
</description>
      <pubDate>Thu, 30 Oct 2008 12:04:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/26</guid>
    </item>
    <item>
      <title>SCIRIA AppliedMind Series - Electronics Workshop</title>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;23-24 October 2008&lt;br&gt;
10-4:30pm&lt;br&gt;
@ Camberwell College of Arts&lt;br&gt;
Seminar Room Basement&lt;br&gt;
Wilson Road&lt;br&gt; 
London SE5 8LU&lt;/p&gt;
&lt;p&gt;
Please RSVP (use 'Send email' below)

&lt;p&gt;You are invited to attend a two day electronics workshop conducted by Leon Barker (PhD Candidate SCIRIA, Camberwell).&lt;/p&gt;
&lt;p&gt;
Day 1: Introduction to electronics
&lt;ul&gt;
&lt;li&gt;Create responsive objects from simple electronic components&lt;/li&gt;
&lt;li&gt;Making proximity sensors with Arduino, infrared emitters and detectors&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;p&gt;
Day 2
&lt;ul&gt;
&lt;li&gt;Making interactive objects from toys and electronic circuits&lt;/li&gt;
&lt;li&gt;Programming interaction using Wiring / Processing&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;p&gt;
Please visit http://ccw-public.wikispaces.com/Electronics for updated information.
&lt;/p&gt;</description>
      <pubDate>Thu, 30 Oct 2008 11:02:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/25</guid>
    </item>
    <item>
      <title>SCIRIA OpenMind Lecture Series - SCIRIA Research Seminar</title>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;Wednesday, 16 July 2008, 1-4.30pm&lt;br&gt;
Ground Floor Seminar Room (G17)&lt;br&gt;
Research Office&lt;br&gt;
Wilson Road&lt;br&gt;
London SE5 8LU&lt;/p&gt;
&lt;p&gt;
You are invited to attend a Research Seminar at SCIRIA. There will be presentations about Early Computer Art by Catherine Mason and Nick Lambert:&lt;/p&gt;
&lt;p&gt;
Lunch 1 pm, talks 2 &#8211; 4.30 pm&lt;/p&gt;
&lt;p&gt;
Catherine Mason will talk about her new book, &#8216;A Computer in the Art Room&#8217;:&lt;/p&gt;
&lt;p&gt;
The origins of British Computer Arts 1950 - 1980'. This uncovers the little-known history of early British computer art. Described for the first time is the crucial role played by art schools in fostering important cross-disciplinary digital collaborations. This was a unique period in which art students could learn to program computers and construct their own hardware, before the onset of PCs and 'user-friendly' systems.&lt;/p&gt;
&lt;p&gt;
Dr Nick Lambert from the Computer Arts and Technocultures Project (CAT), a joint venture between Birkbeck and the V&amp;A, will discuss &#8216;Parallel Evolution&#8217;:&lt;/p&gt;
&lt;p&gt;
The development of computer arts in the 1980s to 90s&#8217;. The art show at the SIGGRAPH graphics conference was a major American and international venue for computer art.  From the late 1970s onwards, the Los Angeles-based art historian Patric Prince collected a significant amount of early computer art that was closely linked with SIGGRAPH, and this was later donated to the
V&amp;A, becoming the research material for CAT.&lt;/p&gt;</description>
      <pubDate>Wed, 16 Jul 2008 13:00:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/24</guid>
    </item>
    <item>
      <title>SCIRIA appliedMind Workshop Series - Introducing Mac OS X Software Development</title>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;9-10 July 2008&lt;br&gt;
10-4:00pm&lt;br&gt;
@ Camberwell College of Arts&lt;br&gt;
Seminar Room Basement&lt;br&gt;
Wilson Road&lt;br&gt;
London SE5 8LU&lt;/p&gt;
&lt;p&gt;
Participants will gain first hand experience of using the Developer Tools
and Cocoa framework to build a fully working software application. The
emphasis is upon utilising existing tools and functionality, requiring no
previous programming experience. Conducted by Mark Hill (SCIRIA
Research Assistant).&lt;/p&gt;
&lt;p&gt;
Day 1: Developer Tools&lt;br&gt;
&#8226; Interface Builder&lt;br&gt;
&#8226; Xcode&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
Day 2: Building An Application&lt;br&gt;
&#8226; Step-by-step tutorial&lt;br&gt;
&#8226; Additional resources (site, forums, and documentation)&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
Requirements: A Mac computer running OS X
10.4+ with the developer tools installed (these
can be found on the OS X installation disc).&lt;/p&gt;</description>
      <pubDate>Wed, 09 Jul 2008 10:00:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/23</guid>
    </item>
    <item>
      <title>SCIRIA AppliedMind Series- Electronics Workshop</title>
      <description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;4-5 June 2008&lt;br&gt;
10-4:30pm&lt;br&gt;
@ Camberwell College of Arts&lt;br&gt;
Seminar Room Basement&lt;br&gt;
Wilson Road&lt;br&gt; 
London SE5 8LU&lt;/p&gt;
&lt;p&gt;
Please RSVP (use 'Send email' below)

&lt;p&gt;You are invited to attend a two day electronics workshop conducted by Leon Barker (PhD Candidate SCIRIA, Camberwell) and Marcus Kirsch (RCA Interaction design graduate).&lt;/p&gt;
&lt;p&gt;
Day 1: Electronics workshop - Making interactive circuits with Arduino boards:
&lt;ul&gt;
&lt;li&gt;Driving motors&lt;/li&gt;
&lt;li&gt;Using Sensors&lt;/li&gt;
&lt;li&gt;LEDs&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;p&gt;
Day 2: Writing programs using Processing 1.0 / Java
&lt;ul&gt;
&lt;li&gt;Implementing code&lt;/li&gt;
&lt;li&gt;Good practice&lt;/li&gt;
&lt;li&gt;Troubleshooting&lt;/li&gt;
&lt;/ul&gt;
&lt;/p&gt;
&lt;p&gt;
Please visit http://ccw-public.wikispaces.com/Electronics for updated information.
&lt;/p&gt;</description>
      <pubDate>Mon, 12 May 2008 09:25:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/22</guid>
    </item>
    <item>
      <title>Tactile Perception and the Will to Figuration in Islamic Art and New Media Art</title>
      <description>&lt;p&gt;SCIRIA openMind Lecture Series - A talk by Professor Laura U. Marks&lt;/p&gt;&lt;p&gt;
Wednesday, 23 April 2008,&lt;br&gt;
6.30pm&lt;br&gt;
Chelsea College of Art &amp; Design&lt;br&gt;
Banqueting Hall &lt;br&gt;
16 John Islip Street&lt;br&gt;
London SW1P 4JU
&lt;/p&gt;
&lt;p&gt;
A striking parallel between contemporary algorithmic art and classical Islamic art is that both are 
full of examples of text trying to become figure, or image that reverts to its basis in text. In digital 
art, the medium consists of code, which may or may not be expressed as image, sound, action, etc. 
In religious Islamic art, the written and spoken word of the Qur'an are considered to be the direct 
speech of God. Yet despite the constraint of clear and unambiguous Sunni scripts, I observe a 
fascinating will to figuration in Sunni Islamic art whereby letters and words start to look like bodies. 
I will show examples Islamic artworks where the text seems inexorably to give rise to a figure, and 
digital artworks that struggle to make manifest code that wants to stay latent. I "explain" the "will 
to figuration" drawing from new media theory, the philosophy of Gilles Deleuze, and the thought on 
latency and manifestation developed in Shi'i Islam. &lt;/p&gt;
&lt;p&gt;
Laura U. Marks, a Canadian writer and curator of artists&#8217; media, is the author of The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (2000) and Touch: Sensuous Theory and Multisensory  Media (2002). She is researching relationships between classical Islamic art and new media art, for a book prospectively titled Enfoldment and Infinity: An Islamic Genealogy of New Media Art. Dr. Marks is Dena Wosk University Professor in Contemporary Arts at Simon Fraser University, Canada. www.sfu.ca/~lmarks&lt;/p&gt;

&lt;p&gt;&lt;small&gt;
Image: Detail, Album containing the surah Al-F&#226;tihah, signed by Muhammad Kazim
(Iran, 1802-3)&lt;/small&gt;&lt;/p&gt;</description>
      <pubDate>Tue, 22 Apr 2008 04:58:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/20</guid>
    </item>
    <item>
      <title>The Fundamentals of Digital Art</title>
      <description>&lt;p&gt;18 March 2008&lt;/p&gt;&lt;p&gt;An evening to launch and discuss Richard Colson's new book, Fundamentals of Digital Art, which examines how digital technology is forcing a rethink of creative priorities for artists today. Colson, senior lecturer in digital arts at Thames Valley University, has spoken to practitioners and theorists in digital arts across the world and, alongside examples of digital art from the last four decades, offers practical know-how for readers involved or looking to become involved with digital art.&lt;/p&gt;
&lt;p&gt;
A panel discussion will include: Ed Burton, research and development director at creative development agency Soda and creator of the Bafta-winning Sodacontructor (go to sodaplay.com to try it yourself); &lt;b&gt;James Faure Walker&lt;/b&gt;, painter, digital artist, and writer, and research fellow at arts and science research group &lt;b&gt;Sciria&lt;/b&gt;; Charlie Gere, author of White Heat, Cold Logic and director of research at the Institute for Cultural Research at Lancaster University.&lt;/p&gt;
&lt;p&gt;
&#163;7 / &#163;6 Concessions / &#163;5 ICA Members.&lt;/p&gt;
&lt;p&gt;ICA, The Mall, London SW1Y 5AH&lt;/p&gt;
&lt;p&gt;Tuesday 18 March 2008 7:30 pm Nash Room&lt;/p&gt; 	
</description>
      <pubDate>Tue, 11 Mar 2008 07:20:00 -0500</pubDate>
      <guid>http://www.sciria.org.uk/home/events/19</guid>
    </item>
    <item>
      <title>Candy &amp; Code: Rachel Beth Egenhoefer, Barbara Rauch and Nicola Naismith at the ICA</title>
      <description>&lt;p&gt;Textile Futures Salon, 17 March, 2008 at the ICA &#8211; 6.30pm&lt;/p&gt;&lt;p&gt;&lt;b&gt;TFRG - University of the Arts London&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;
The Textile Futures Research Group, University of the Arts London (UAL) and the Institute of Contemporary Arts (ICA) explore the coded enquiry of three artists and researchers. Rachel Beth Egenhoefer, TFRG Guest Artist, &lt;b&gt;Dr Barbara Rauch&lt;/b&gt;, Deputy Director &lt;b&gt;SCIRIA&lt;/b&gt; (Sensory Computer Interface Research &amp; Innovation in the Arts), UAL and Nicola Naismith, Lecturer at Norwich School of Art and Design.&lt;/p&gt;
&lt;p&gt;
Following presentations, Dr Jane Harris , Director of TFRG, Helen Sloan, Director of SCAN and Jess Laccetti, Institute of Creative Technologies, will conduct a panel discussion with the artists.&lt;/p&gt;
&lt;p&gt;
Tickets are &#163;10 / &#163;8 Concessions / &#163;6 ICA Members&lt;/p&gt;
&lt;p&gt;
Available from the ICA: www.ica.org.uk / Box Office: +44(0)20 7930 3647&lt;/p&gt;
&lt;p&gt;
Institute of Contemporary Arts, 12 Carlton House Terrace, London, SW1Y 5AH.&lt;/p&gt;</description>
      <pubDate>Mon, 03 Mar 2008 11:02:00 -0600</pubDate>
      <guid>http://www.sciria.org.uk/home/events/18</guid>
    </item>
    <item>
      <title>SCIRIA Research Seminar</title>
      <description>&lt;p&gt;SCIRIA OpenMind Lecture Series&lt;/p&gt;&lt;p&gt;Wednesday March 5 2008,  12.30 - 5 pm at Camberwell College of Arts, Research Office, Wilson Road&lt;/p&gt;
&lt;p&gt;
There will be four short presentations covering a wide range of subject
matter, with interesting points of connection:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;
Eva Kekou (PhD Candidate, SCIRIA Camberwell)
Wireless Artists&#8217; Groups&lt;/li&gt;
&lt;li&gt;
Ilze Black (Curator, Watermans Arts Centre)
New Media Projects&lt;/li&gt;
&lt;li&gt;
Bernie Law (PhD Candidate, Cranfield University)
Luxury in Cars&lt;/li&gt;
&lt;li&gt;
Mark Hill (Research Assistant, SCIRIA)
Digital Drawing&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;
By James Faure Walker
&lt;/p&gt;</description>
      <pubDate>Tue, 26 Feb 2008 09:06:00 -0600</pubDate>
      <guid>http://www.sciria.org.uk/home/events/15</guid>
    </item>
    <item>
      <title>Discovering Digital Drawing</title>
      <description>&lt;p&gt;A talk by James Faure Walker&lt;/p&gt;February 20 2008, 2pm&lt;br&gt;
Research Centre&lt;br&gt;
The Centre for Drawing Project Space&lt;br&gt;
Wimbledon College of Art</description>
      <pubDate>Thu, 14 Feb 2008 08:32:00 -0600</pubDate>
      <guid>http://www.sciria.org.uk/home/events/14</guid>
    </item>
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